{"id":7684,"date":"2022-10-04T17:45:59","date_gmt":"2022-10-04T22:45:59","guid":{"rendered":"https:\/\/camlibro.com.co\/reading_colombia\/?page_id=7684"},"modified":"2022-12-05T16:18:49","modified_gmt":"2022-12-05T21:18:49","slug":"y-fue-entonces-2022","status":"publish","type":"page","link":"https:\/\/camlibro.com.co\/reading_colombia\/en\/editoriales-2022\/babel-2022\/y-fue-entonces-2022\/","title":{"rendered":"And it was then"},"content":{"rendered":"

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<\/div>[vc_row_inner][vc_column_inner width=”1\/5″][\/vc_column_inner][vc_column_inner width=”1\/5″][\/vc_column_inner][vc_column_inner width=”1\/5″][vc_single_image image=”5467″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https:\/\/camlibro.com.co\/reading_colombia\/en\/editoriales-2022\/babel-2022\/”][\/vc_column_inner][vc_column_inner width=”1\/5″][\/vc_column_inner][vc_column_inner width=”1\/5″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row tlg_background_style=”bg-secondary” tlg_padding=”pb0″ css=”.vc_custom_1568948194274{background-color: #edeaed !important;}”][vc_column css_animation=”slideInUp”][vc_row_inner el_class=”fila_titulo02″][vc_column_inner width=”1\/3″][vc_single_image image=”7518″ img_size=”full” alignment=”center”][\/vc_column_inner][vc_column_inner width=”2\/3″]
And it was then<\/h5>
HELENA IRIARTE \/ IV\u00c1N RICKENMANN<\/div><\/div><\/div>
<\/div>[vc_column_text]Summary<\/strong>
\nHelena Iriarte investigates surrenders of memory. Her characters go back, in old age and review the events of childhood, understand and justify others, and, most importantly, they forgive; In this novel, the protagonist attends a theatrical representation of her childhood, of the events that marked her life and that ended with family harmony. To complement a poetic text, the illustrations by Iv\u00e1n Rickenmann are part of the work, a plastic artist with a unique ability to recreate the atmosphere of our city, to give life and show the already empty spaces of that house where the objects will be the detonators of memories.<\/p>\n

Data sheet<\/strong>
\nCategory: novel
\nISBN: 978-958-5591-74-5
\nPublication date: 31\/05\/2021
\nExtent: 92
\nFormat: 20 x 22,5 cm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” tlg_large_container=”wide-container” tlg_background_style=”bg-secondary” tlg_padding=”pt64 pb64″ css=”.vc_custom_1568948249704{background-color: #edeaed !important;}”][vc_column css_animation=”slideInUp” width=”1\/6″][vc_column_text]|\u00ab Back to publisher<\/a>
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Author\u00b4s biography<\/h5><\/div><\/div>[vc_column_text]Helena Iriarte (Bogot\u00e1, 1937).\u00a0<\/strong> She studied Philosophy and Literature at the University of the Andes and specialized in Hispanic American Literature at the Andr\u00e9s Bello Seminary of the Caro y Cuervo Institute in Bogot\u00e1. She was honored by the Instituto Distrital para las Artes, IDARTES, for her contribution and legacy in the area of literature to the city in 2013.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=”fila_titulo02″ css=”.vc_custom_1667916865790{margin-top: 30px !important;}”][vc_column_inner width=”1\/4″][vc_single_image image=”7696″ img_size=”full” alignment=”center”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Iv\u00e1n Rickenmann (Bogot\u00e1 in 1965).\u00a0<\/strong> Painter and university professor. He is particularly interested in abandoned spaces or those that show the passage of time. He is not interested in photorealism or hyperrealism. In his drawings, spaces and things are re-created, and have a protagonism and a presence that, in a certain way, gives them life. Charcoal, on the other hand, is evocative. His warm and intense tones make us think of old photographs, of memories. He walks and observes things. He takes photographs -physical and mental- of what is relevant or singularly banal. The resulting drawing is the combination of many of these images, and of moments relived.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]