{"id":7952,"date":"2022-10-04T22:42:29","date_gmt":"2022-10-05T03:42:29","guid":{"rendered":"https:\/\/camlibro.com.co\/reading_colombia\/?page_id=7952"},"modified":"2022-12-14T13:29:14","modified_gmt":"2022-12-14T18:29:14","slug":"la-mata","status":"publish","type":"page","link":"https:\/\/camlibro.com.co\/reading_colombia\/en\/editoriales-2022\/laguna-libros-2022\/la-mata\/","title":{"rendered":"The brush"},"content":{"rendered":"

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The brush<\/h5>
ELIANA HERN\u00c1NDEZ<\/div><\/div><\/div>
<\/div>[vc_column_text]Summary<\/strong>
\nIn this poem, Eliana Hern\u00e1ndez surrounds the El Salado Massacre choosing to narrate, in verse, its borders. The drawings of Mar\u00eda Isabel Rueda grow and overflow through the pages, just like the implacable nature did not stop despite the violence of men. From the view of the bush, the book contemplates the horror of one of the forty-two massacres that, in a gap of three years, left three
\nhundred and fifty-four victims in the Montes de Mar\u00eda region, in Colombia. This book won the Grant for publication of Colombian authors, given by the Ministry of Culture, in 2020, and the National Poetry Award, in 2021.<\/p>\n

\u201cIf we add the fact that the night entered the houses with them, the night went in and came out as it pleased, extending its dark sky as skin is stretched, as God covered the body of the animals with hides, if we may borrow the image, which is to say, enveloping it all, if you add the fact of the night in all its vastness and envelopment, you might come up with an idea.\u201d (Traducido por Robin Myers)<\/p>\n

Data sheet<\/strong>
\nCategory: poetry
\nISBN: 978-958-5474-64-2
\nPublication date: 24\/09\/2020
\nExtent: 95
\nFormat: 17 x 23 cm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” tlg_large_container=”wide-container” tlg_background_style=”bg-secondary” tlg_padding=”pt64 pb64″ css=”.vc_custom_1568948249704{background-color: #edeaed !important;}”][vc_column css_animation=”slideInUp” width=”1\/6″][vc_column_text]|\u00ab Back to publisher<\/a>
\n<\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″][\/vc_column][vc_column width=”1\/6″][\/vc_column][vc_column width=”1\/6″][\/vc_column][vc_column width=”1\/6″][\/vc_column][vc_column width=”1\/6″][vc_column_text]Next book \u00bb|<\/a>
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Author\u00b4s biography<\/h5><\/div><\/div>[vc_column_text]Eliana Hern\u00e1ndez Pach\u00f3n (Bogot\u00e1, 1989).<\/strong> is an anthropologist. She has a master\u2019s degree in Creative Writing from NYU and a Ph.D. in Hispanic Literature from Cornell University. Eliana currently lives in New York City, where she teaches Spanish. La mata is her first book.<\/p>\n

Mar\u00eda Isabel Rueda (Cartagena, 1972) is an artist and curator. She edits the Rosa Lux Press magazine and the Tropical Goth Magazine. She is the art director of the project El huevo y la Gallina, and the independent space La Usurpadora, in Puerto Colombia. She\u2019s been part of several individual and collective expositions, both national and international, since 1999.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]